Sachgebiete

Beschreibung:

128 pages. With a lot of illustrations, mostly in colour. Illustrated original softcover binding. Good condition. 26x25 cm

Bemerkung:

* The Boyle family is made up of four British artists: Mark Boyle, Joan Hills and their children Sebastian and Georgia who work together on their artworks, many of which may be found in museum collections around the world. A comprehensive study of the Boyle Family, this book accompanies an exhibition at the Scottish National Gallery of Modern Art in Edinburgh. Lavishly illustrated , it explores the work of the Boyle family from their beginnings in the 1960s to the present day. It features three essays: Patrick Elliot discusses their history; Andrew Wilson explores their film and performance work in the 1960s; and Bill Hare looks at the nature of the Boyle Family project. --- Mark Boyle (11 May 1934 ? 4 May 2005) was a Scottish artist born in Glasgow and known for his work in the cultural UK Underground of the 1960s around the Traverse Theatre, and was exhibiting since 1985 with Joan Hills and their children Sebastian and Georgia as Boyle Family. Although Boyle Family have worked across a wide range of different media (including painting, photography, sculpture, film, projection, sound recordings and drawing), they are perhaps most well known for their Earth studies. These pictures - highly accurate painted casts that operate somewhere between painting and sculpture - involve the meticulous re-creation of randomly chosen areas of the Earth's surface using resin and fibreglass (as well as real materials from the site) and have been exhibited internationally. Past shows have included the British Pavilion at the XXXIX Venice Biennale in 1978, Beyond Image - Boyle Family (Hayward Gallery, London) in 1986 and Boyle Family (Scottish National Gallery of Modern Art, Edinburgh) - a major retrospective held in 2003. In addition to developing highly original casting techniques, Mark Boyle and Joan Hills also pioneered the use of liquid light shows during the 1960s.[3] These projections played a seminal role in the development of the counter-culture of the period. The light environments were used to accompany stage performances by such artists as Jimi Hendrix and jazz-rock pioneers Soft Machine. Amongst others he collaborated with George Brecht, Peter Schmidt (artist), Cornelius Cardew, and John Tilbury. (Quelle Wikipedia)