Beschreibung:

187 S. Originalleinen mit Schutzumschlag.

Bemerkung:

Erstaunlich gut erhalten - Loplop: A "Private Phantom" -- The Return to Collage -- Polyphony of Elements and Multiplicity of Material -- Similarity and Repetition as Prerequisites for Stylistic Development -- The First "Original" Collages -- Anthropomorphic Figuration and the Collector Motif -- Loplop and Cadavre Exquis -- Two Basic Types of Loplop Figure -- The Ubiquitous Hand -- Ironic Comment on the Handmade -- Variety of Contrasting Techniques -- Veristic Pictorial Syntax: Loplop as "Reflective Figure" -- Picture Within Picture as Wish Fulfillment -- Surrealist Treasures of the Temple -- Measurement and Melancholy -- Labyrinth of Illusion and Feigned Illusion -- Use of Frottage: Original Narrative Material -- The Erotization of Technique -- Eros and Death-drive -- Loplop's "Dictionary of Forms" -- Attack on Clichés -- "Au Rendez-vous des Amis 1931" -- Loplop's Theoretical Position -- The Legitimacy of Surrealist Art -- The Surrealist "Mother Tongue" and Painting -- Automatism: A Digression -- Dreams and Veristic Dream Images -- Superimposed Images -- The Encyclopedic Collages -- The Artist in the Third Person -- Loplop as Censoring Superego -- Second Manifesto of Surrealism: The Medium as Higher Authority^ -- The Role of Automatism -- Medium and Surrealist Stigma -- Passivity, Activity: Enter Dali -- Seeing Things Into Images : Max Ernst's Point of Departure -- Floral Motifs Transformed -- The Estrangement of the Déjà-Vu -- From Egg and Dart to "A l'intérieur de la vue: l'œuf" -- Leonardo, Vulture's Child, and Loplop -- Seeing Into and Hatching Out -- Encoding and Decoding -- Inexplicability as Surrealist Statement. ISBN 0807610658