Beschreibung:

303 S.; 8°. Fadengehefteter Originalpappband.

Bemerkung:

Sehr gutes Ex. - Vorsatz mit WIDMUNG von Mark E. Blum; SIGNIERT. - INHALT : Preface Acknowledgments -- Kafka's Social Discourse as an Aesthetic Search for Community -- Social Discourse and the Actualization of the Good -- Amerika as an Anatomy of Social Discourse -- The Trial as the Social Discourse of Self in a Community of Others -- The Castle and the Social Discourse of Community -- The Castle as a Pastoral Narrative: "The Good," "The Beautiful," and the Human Community -- Notes -- Bibliography. // Franz Kafka is among the most significant twentieth-century voices to examine the absurdity and terror posed for the individual by what his contemporary Max Weber termed "the iron cage" of society. Ferdinand Tönnies had defined the problem of finding community within society for Kafka and his peers in his 1887 book Gemeinschaft und Gesellschaft. Kafka took up this issue by focusing upon the "social discourse" of human relationships. In this book, Mark E. Blum examines Kafka's three novels, Amerika, The Trial, and The Castle in their exploration of how community is formed or eroded in the interpersonal relations of its protagonists. Critical literature has recognized Kafka's ability to narrate the gestural moment of alienation or communion. This "social discourse" was augmented, however, by a dimension virtually no commentator has recognized-Kafka's conversation with past and present authors. Kafka encoded authors and their texts representing every century of the evolution of modernism and its societal problems, from John Bunyan and Daniel DeFoe, through Alexander Pope and Gotthold Ephraim Lessing, to Theodore Fontane and Thomas Mann. The intertextual conversation Kafka conducted can enable us to appreciate the profound human problem of realizing community within society. Cultural historians as well as literary critics will be enriched by the evidence of these encoded cultural conversations. Kafka's "Imperial Messenger" may finally be heard in the full history of his emanations. Kafka encoded not only past authors, but painters as well. Kafka had been known as a graphic artist in his youth, and was informed by Expressionism and Cubism as he matured. Kafka's encodings of literature as well as fine art are not solely of the work to which he refers, but the community of authors or painters and their success or failure of community. Kafka's encodings were meant not only as extratextual readings for astute readers, but also as a lesson to his fellow authors whom he held accountable in his correspondence as cultural messengers. (Verlagstext) ISBN 9781611460087