Sachgebiete

Beschreibung:

Durchaus Zufriedenstellend

Bemerkung:

Jahrgang 1911, Berlin / Sonnabend, den 22. April 1911 / Hannover / Nummer 60 (Nr. 60). Umfang acht Seiten. Inhalt: Kurt Hiller: Der Relativismus in der Rechtsphilosophie und seine Ueberwindung durch die Restitation des Willens / Per Hallstroem: Adonia / Paul Scheerbart: Der Kaiser von Utopia / Friedrich Kurt Benndorf: Von Gedichtelesen / John Wolfs: Kunsthistorismus / Trust: An die Herren Vorsitzenden der Heimatspiele / J.A.: Lokales / John Jack Vrieslander: Der Säugling / Zeichnung. TITELBLATT: JOHN JACK VRIESLANDER: DER SÄUGLING/ ZEICHNUNG. Bedingt durch damaligen Postversand der Zeitschrift leichte Faltspur in der Mitte des Titelblattes, kleine Einrisse am Heftrand, jedoch nicht Zeichnung betreffend. Zeichnung sauber und unverletzt. Mit zahlreichen Werbeanzeigen auf letzter Seite. Sehr holzige Papierqualität. Trotz Altersspuren insgesamt durchaus zufriedenstellender Zustand für diese seltene Zeitschrift. ---- An original issue of the legendary magazine "Der Sturm" (The Storm) that covered the expressionism movement in Germany. It was founded in Berlin in 1910 by Herwarth Walden and ran weekly until 1914, later monthly, became a quarterly in 1924 until it ceased publication in 1932. Most issues were sent by post, which explains the usual folding crease on the middle of the fragile wooden-paper publication. Particularly in the time before the outbreak of World War I, "Der Sturm" played a crucial role in the French-German exchange of expressionist artists, which led to a special relationship between Berlin and Paris. Regularly, poems and other texts of French and/or French speaking expressionists were published (Guillaume Apollinaire, Blaise Cendrars, etc.). This relationship was renewed after the war despite the hostilities between the two countries caused by the fighting. The magazine also fostered the Galerie "Der Sturm", started by Walden to celebrate its 100th edition, in 1912. The gallery became the focus for Berlin's modern art scene for a decade. Starting with an exhibition of Fauves and Der Blaue Reiter, followed by the introduction in Germany of the Italian Futurists, Cubists and Orphists, the gallery was to exhibit Edvard Munch, Georges Braque, Pablo Picasso, Albert Gleizes, Robert Delaunay, Jean Metzinger, Gino Severini, Jean Arp, Paul Klee, Wassily Kandinsky, and Kurt Schwitters. --- 29 x 40 Cm. 0,15 Kg.